The girl was really getting the hang of the whole childhood thing. Oh, sure, the move to San Francisco had rocked her world for a while (as chronicled in 2015’s Inside Out). But she’d settled in just fine (eventually). She was excelling in school. She was tearing up the ice. She had a couple of fantastic friends, Grace and Bree. What more could a girl want?

Yep, all of Riley’s emotions would agree that their now 13-year-old girl was turning out just great. And those emotions—Joy, Sadness, Fear, Anger and Disgust—rarely agree on anything.

Then, wouldn’t you know it, puberty had to come in and wreck everything.

Wreck is the operational word here, at least as far as Riley’s emotions are concerned. One minute, the puberty alarm on Riley’s emotional control bank is blaring. The next, a team of blue construction workers storms headquarters, saws and crowbars in hand, and completely decimates the control room. The workers say that it’s all to make room for the others.

And then those others start showing up.

Anxiety arrives first, all teeth and eyes and frazzled hair. Envy shows up and fawns over the control board. Embarrassment, a big galloot of an emotion, tries to hide in his hoodie. And Ennui lounges on a couch—oh so over everything—and fiddles with her phone.

No problem, right? I mean, it’s not like this is Joy’s first rodeo with meddlesome emotions. They’re all part of the team! And as long as Joy’s in control, everything will be fine. Just fine.

But when Riley goes to an important three-day hockey camp and (at Joy’s urging) goofs off with her friends, the hockey coach makes it clear that unbridled joy in this setting is not fine. It’s not fine at all. If Riley wants to be a top hockey player—perhaps even one that makes the high school team as a freshman—she’ll need to work. She’ll need to focus. There’s a time and place for joy, but this camp ain’t it.

Anxiety gently nudges Joy aside and takes the controls. If Riley hopes to succeed in this unfamiliar world, the girl could use a little anxiety. She could use a little motivational stress. Riley’s a teenager now, after all. Time to put away those childish things and grow up. Grow into an entirely different person who can cope with all of life’s present stresses and future uncertainties.

“This is not Riley!” Joy protests.

“I know!” Anxiety tells her. “It’s a better Riley!”

But is it?

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We might look to Dr. Onda, the leader of the Kaiju Defense Force, who lost his wife and daughter to those giant monsters. Now, he’ll do whatever it takes to find the hidden Kaiju island and slaughter the beasts once and for all in order to prevent that tragedy from happening to another family.

We could also think about the actions of the kaiju Gigantron. The dragon-like monster did everything in her power to protect and reclaim the egg containing her child—an egg which had been stolen by the KDF as a step in locating Kaiju island.

And we could certainly talk about Professor Sato. He’s got the power to transform into Ultraman, a giant humanoid robotic figure who defends Tokyo from the occasional kaiju attacks. Unlike the KDF, he’d rather repel the endangered and misguided beasts than turn them into sashimi. And because of his superhero status, he chose to protect his wife and son from his dangerous profession by sending them away to Los Angeles.

But if there’s anyone who needs to learn a lesson about family, it’s Kenji “Ken” Sato, Professor Sato’s son. In the two decades since he was sent away, Ken grew up to have both a professional career in baseball as well as a hefty grudge against his father for abandoning them. And just as Ken was about to take the Dodgers to the championship game, his father, weary from years of battle, asked him to come back to Japan and take up the Ultraman mantle.

Well, Ken does begrudgingly go back. By day, he plays baseball for the Yomiuri Giants. By … well, whenever there’s a kaiju attack, he repels kaiju as Ultraman.

But remember that egg Gigantron hoped to get back, prompting her attack on the KDF? Well, just after Ken watches the KDF blow Gigantron out of the sky, the egg hatches, and the tiny kaiju imprints on Ken. And, just like his father, Ken can’t bear to see the KDF kill the creature—so he vanishes with it before the KDF can secure their asset.

And so Ken begins to discover just how difficult being a father can truly be.

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First, there’s Cricket, the thrill-seeking and wildly unpredictable son. Then, we’ve got the unique and whimsical daughter, Tilly. Up next is family patriarch Bill Green, a loving father but overwhelmed farmer. And finally, there’s Gramma. If you threaten her son or grandkids, she’ll come after you with a sword, mace or even her prosthetic leg in a pinch. But she also loves distributing kisses and hugs.

Bill and his kids moved to Big City to live with Gramma after they lost their farm. And the family has adjusted. They’ve made friends and even converted Gramma’s yard into a profitable vegetable garden.

But after working so hard to get their lives back together, they’re ready for a vacation. Cricket knows just the thing: a luxurious stay at Big Tech’s Space Hotel in, you guessed it, space.

There’s just a little matter of funding this spacecation. Though the Greens work hard, they don’t make enough to cover the $10 million a night stay.

Luckily, Cricket has the solution for that, too. In addition to creating the Space Hotel, Big Tech has also created a farm located on an asteroid. And the farmbots created to harvest the plants are malfunctioning.

So, Big Tech CEO Gwendolyn Zapp makes the Greens an offer: Go to the asteroid and harvest the produce for her and she’ll let them stay at the Space Hotel for free.

It’s not exactly the family road trip Bill had in mind for this vacation. But after a little convincing from Cricket, he finds himself saying a sentence he never thought he’d utter: “Let’s get to that asteroid and harvest those space crops so we can enjoy our space vacation at that Space Hotel!”

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“It’s a total pop-culture fantasy. But because hitmen have been a staple of books, movies and TV for the last 50 years, good luck getting anyone to believe their existence is all a myth.”

In truth, Gary’s part-time work for the New Orleans Police Department as an undercover hitman in murder-for-hire cases couldn’t be further from the truth of who he is. You see, the real Gary is a college psych and philosophy professor. He likes birding and electronics. He lives alone with two cats.

But when he enters the field, he plays an entirely different role. For one meeting, Gary adopts a Russian accent and wig. For another, he takes on the role of a skeet-shooting redneck. Each character he plays is a disguise donned to cater to the fantasy of what those looking for hitmen believe such a man looks like. And when the target confesses to wanting someone murdered and hands over the cash for payment, that’s when the police swoop in with enough evidence to put the person in jail.

At least, that’s how it usually works.

But that was before Gary (or, this time, the suave Rob) sat down with Madison. She’d contacted him in the hope that he might eliminate her abusive and controlling husband. And “Rob” senses that she’s not a killer at heart. So instead, he tells her to take her money and use it to start a new life—and if she needs someone to talk to, she can text him.

Well, Madison does walk away. And she does text him. Madison and “Rob” hit it off. And soon, Gary finds himself pretending to be Rob the hitman more often than he’s Gary.

And soon, all that faking just may come back to bite him.

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“We’ve come to it at last, the great battle of our time.” – Gandalf

The Return of the King, the climactic chapter in J.R.R. Tolkien’s epic Lord of the Rings trilogy, draws to a close the events of The Fellowship of the Ring and The Two Towers. Gollum continues leading Frodo and Sam toward Mordor. But he has no intention of letting the hobbits destroy his “precious” by casting the ring into the fires of Mount Doom. The emaciated, desperate and devious creature plants seeds of doubt in Frodo’s mind about Sam’s loyalty (which remains unwavering). That allows Gollum to lure Frodo, alone, into the lair of a giant spider named Shelob. With Sam alienated and Frodo dead, the ring would be Gollum’s for the taking.

Concurrently, the armies of men begin marshaling their forces to defend Gondor’s seven-level city of kings, Minas Tirith. Soaring more than 700 feet above its main gate, and fortified with numerous walls and battlements, Minas Tirith would seem impregnable. However, the dark forces massing against it are formidable. Orcs. Haradrim. Easterlings. Nazgul. Huge trolls that tote battering rams and wield massive maces. Rampaging, elephant-like giants called Mumakil.

There’s no king to defend Gondor from within. Denethor (father of Boromir and Faramir) is the city’s steward, but pride, grief and an unsound mind have rendered him ineffective at protecting his people. Only Gandalf and Aragorn (the one, true king) can lead the ragtag armies of Middle-earth in what could be their last stand against Sauron. Among the human armies that ride to Gondor’s aid is Rohan, led by King Theoden. Hidden among their ranks, the lady Eowyn and an impassioned hobbit seize the chance to fight for all they love and believe in. The troops are vastly outnumbered. To even the score, Aragorn hopes to collect on a centuries-old debt and enlist a legion of cursed undead to fight on their side. Little does Aragorn know that his true love, the elf princess Arwen, has foregone immortal bliss in the Gray Havens in favor of a mortal life with him. But she grows weak. Only the defeat of Sauron will restore her health and secure their royal future. That, of course, is up to Sam and Frodo. Can they survive Gollum’s nefarious schemes? And if so, can the armies of man buy them the time they need to fulfill their calling and drive a stake into the heart of evil?

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The confrontation of good vs. evil in mythical Middle-earth continues. Let’s jump right in—as the film does—to the second act in the The Lord of the Rings trilogy [for information about act one, see our review for The Fellowship of the Ring]. With the fellowship broken, warriors Aragorn, Legolas and Gimli embark on a rescue mission, tracking the detachment of battle-bred Orcs that made off with Merry and Pippin. In the process, they encounter horsemen of Rohan and visit a kingdom facing extermination at the hands of Saruman’s Uruk-hai army. The Rohan monarch, King Theoden, has had his mind poisoned by a traitorous advisor named Grima Wormtongue, leaving Theoden incapable of ruling his people. But intervention by Gandalf (we learn that he conquered the fiery Balrog and emerged as Gandalf the White) restores Theoden to full health. Wormtongue is exiled, and returns to his true master, Saruman, who plans to wipe out Rohan at the hands of 10,000 Uruk-hai soldiers in a climactic battle at Helm’s Deep.

Merry and Pippin escape the Orcs on their own and wander into Fangorn Forest where they meet Treebeard, part of a race of tree-like creatures called Ents. The Hobbits appeal to the Ents to join the fight against Saruman, but the complacent Ents are reluctant to do so until they realize their future may be threatened as well.

Meanwhile, ringbearer Frodo and his trusty companion, Sam, must proceed alone toward Mount Doom to fulfill their mission of destroying the seductive gold band coveted by the dark lord Sauron. The pair realizes they’ve been followed when a pathetically emaciated, psychologically tormented creature named Gollum is caught stalking their camp. Gollum’s history with—and addiction to—the ring make him both a valuable asset and a potential liability to their quest. Gollum can guide them to Mount Doom. But are his intentions honorable? Is he simply biding his time in order to kill the Hobbits and steal the ring? It’s a risk Frodo—who is beginning to show wear and tear from his immense burden—believes they should take.

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It’s helpful to think of the three-hour epic The Fellowship of the Ring as the first act of a three-act play which includes the films The Two Towers and The Return of the King. Middle-earth, with its diverse population of men, elves, hobbits, dwarfs and wizards, stands at a crossroads. For generations, these races and tribes have battled to keep the dark lord Sauron at bay. Insulated from this ongoing conflict are the hobbits, a carefree, simple-hearted colony of little people too busy farming the land, enjoying food and raising families to care much about the ominous occurrences outside of the Shire. But their pastoral existence, indeed the future of all Middle-earth, is threatened when Sauron, obsessed with recovering an evil ring that would give him supreme power, learns that his prize is somewhere in the Shire.

Of course, one might assume that a righteous hero could use the potent ring of gold to thwart Sauron’s mounting forces. Not so. Many have tried . . . and failed. Created for evil, the ring can only be used for evil and corrupts whomever wears it. It can yield no good. That’s why fate has chosen a virtuous hobbit named Frodo Baggins to guard the ring until it can be thrown into the fiery bowels of Mount Doom where it was forged.

After learning about his destiny and the dangerous ring’s history from a wise wizard named Gandalf, Frodo embarks on his journey alone. He’s barely out of the Shire when he gets company. His hobbit pals Sam, Merry and Pippin join him, though they have no clue what they’re getting themselves into. A series of scary scrapes and narrow escapes lead the youths to a pub where they connect with a mysterious wanderer named Aragorn. Pursued by black-clad Ringwraiths (mounted, sword-wielding spectres) and a growing army of orcs (hideous, screeching goblins), the young heroes head for Rivendell, where representatives of Middle-earth’s inhabitants form a fellowship to escort Frodo on his perilous mission to Mount Doom. The fellowship is made up of Frodo, Gandalf, Sam, Pippin, Merry, Aragorn (revealed to be heir to the throne of Gondor), Boromir (a warrior of Gondor), Gimli (a burly dwarf) and Legolas (an archer elf). After three hours of thrills, chills and impressive visual effects, the fellowship is broken, and these characters chart separate courses in the protection of all that is good.

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Those states of being aren’t, frankly, things that we often dwell on.

I mean, sure, everyone is aware of the fact that we’ll all die someday. But it’s the someday part of the equation that helps us focus on other things. And that’s particularly true for Miami detectives Mike Lowrey and Marcus Burnett.

These two cops have been partners and putting their lives on the line for decades now. And focusing on the fact that they may get hit with a stray bullet or a speeding vehicle at any moment will only make them hesitate, potentially at the wrong time.

But both of these guys are still thinking pretty hard about life and death these days.

Mike just got married, for instance. And having a loved one he could lose or leave behind if he makes the wrong choice has left him unsure of himself. He’s even had stressful moments lately that amount to a panic attack in the heat of gunfire.

Marcus, on the other hand, is thinking about life and death from a totally different perspective. While celebrating at Mike’s wedding, Marcus had a heart attack and died. He was literally dead and gone for a while there.

And in that space of time—while the paramedics were shocking him with a defibrillator and hustling his body to the hospital—Marcus saw visions. He saw his life (and past lives) flash before his eyes, and he met with Capt. Howard, a beloved officer who was recently murdered. 

Marcus came back from that experience with a new zeal for life. Not only did the good captain encourage Marcus to relish the family and loved ones he has, but he assured him that he couldn’t be killed. It wasn’t yet his “time.”

So while Mike is becoming overly cautious, Marcus is ready to charge into gunfire with no fear at all. As you might expect, that isn’t a good balance for cops facing danger. And the fact is, Marcus and Mike need all the balance they can get right now.

You see, someone is setting up the deceased Capt. Howard as a corrupt cop. There’s incriminating evidence spilling out and Mexican drug cartel money in the mix. The bad boy cops are the captain’s only defenders. And before you can sing, “Whatcha gonna do?” Mike and Marcus are being stitched into the frame up, too.

The FBI is after them. Their own police force has them on its radar. And there’s a gangland bounty on their heads. Who’s behind all this? And why is it happening now? 

Mike and Marcus haven’t got a clue, but they’ve got to lay low, dig in and find out what they can.

After all, this has now become a matter of life and death.

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Koichi Shikishima didn’t die when he was supposed to.

It’s 1945, and the Japanese kamikaze pilot has just launched into what’s supposed to be his sacrificial mission. But instead, Koichi takes a detour, landing at a Japanese mechanical outpost, Odo Island. He claims his plane was having some issues—issues that no one on Odo Island can seem to identify.

The truth is, Koichi is a coward.

One mechanic doesn’t blame him for backing out. They’ve been fighting a losing battle against the United States for a couple of years now.

“Why obey an order to ‘die honorably’ when the outcome is already clear?” The man says.

But Koichi has no time to grapple with his actions: Alarms blare. The outpost is under attack. And when they shine a light on their attacker, they find a massive reptilian creature dubbed Godzilla whose claws tear through the base like a hot knife through butter. The others task Koichi with running to his plane and shooting the beast, but he freezes in terror. And by sunrise, he’s one of a mere two survivors.

A couple of years later, Koichi’s still plagued with guilt over the deaths of the men at Odo Island. It certainly doesn’t help that others constantly remind him of his failure. After all, kamikaze pilots aren’t exactly supposed to come back home. The disgraced man takes a job on a small minesweeper crew, sailing the Pacific Ocean to find and detonate leftover bombs.

It’s not long before Koichi and his crew come face to face with Godzilla. And thanks to United States atomic bomb testing at Bikini Atoll, the beast is even bigger and stronger than Koichi remembers, having been mutated by the radiation. What’s more, the seemingly invincible monster is on a crash course to collide with the Japanese mainland, and the war-weary nation is nowhere near prepared to defend itself.

But for a coward, Koichi sure seems to gravitate to jobs with high mortality rates. And fighting a nuclear reptilian beast with no discernable weakness certainly fits the bill.

Perhaps it’ll even let Koichi finally die with honor—even if the outcome is already clear.

The post Godzilla Minus One appeared first on Plugged In.

Colt Seavers used to fall for a living.

Sure, it wasn’t all falling. Sometimes he’d just dangle off a helicopter. Or throw himself against a rock. Or maybe light himself on fire.

All in a day’s work for a Hollywood stuntman.

Not that Colt complained about all the falls and jumps and flames. As the go-to body double for the Tom Ryder, one of the top action stars on the planet, work was fun. The pay was decent. And more often than not, he worked side-by-side with his camera-operating girlfriend, Jody Moreno.

But all that was before Colt had an uncomfortable reunion with gravity: A fall went wrong, and the accident broke his back, his spirit and his relationship. And while he physically recovered, Colt abandoned his career and Jody both. He works as a valet now: The closest he gets to stunt work is parallel parking.

Or it was—until Gail called.

That’d be Executive Producer Gail. Hollywood Mogul Gail. Tom Ryder’s Favorite Film Exec Gail. Seems that Tom’s working on another huge movie in Australia—something called Metalstorm. Gail wants Colt to get back in the game and be the film’s primary stuntman.

Oh, and did Gail mention that Jody—Colt’s still-beloved ex-girlfriend—is the film’s director? And that she asked for Colt specifically?

That’s all Colt needs to hear. He hops on the first flight to Australia, arrives on set and discovers that Jody … said no such thing. In fact, she’d be quite happy if Colt took the first flight home.

Executive producers have never been known for their honesty.

But soon, Gail tells Colt why she really flew him all the way to Australia: Tom is missing. He hasn’t been seen for days. Gail knows that Tom and Colt have a long history: If anyone can find the movie star, sober him up and get him back on set, it’s Colt.

But finding Tom won’t be so easy.

For years, Colt used to fall for a living. But this time he’s working without a harness—and he just might be falling into more than he can handle.

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